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Luckily, there’s a gaggle of custodians, baggage handlers, fast-food employees and one nice flight attendant (Catherine Zeta-Jones) to show Viktor how to live as “a citizen of nowhere.” The story is played for maximum “awws,” and truly brings out the worst of the filmmaker’s Capra-corn instincts. He’s unable to go home, and because his passport is no longer valid, he can’t step on American soil. The star is Viktor Navorkski, an Eastern European who has the bad luck of landing at New York’s JFK airport just as his fictional country has suffered a military coup.
We’re so glad you’re feeling better.īased on the true story of an Iranian traveler stuck at a Parisian airport terminal after losing his papers (and then lived in a departure lounge for almost two decades), Steven Spielberg’s treacly comedy-drama is a low point in terms of his collaborations with Tom Hanks, and their own respective back catalogs.
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(We judged the rankings via a combination of how good the movie was overall how good the actor was in the film specifically, and several random consultations of the I Ching.) Hanks for the memories, sir. Here are the man’s movies ranked from worst to best - the goofy comedies and award-winning dramas, the franchise-starring turns and cameos in indies, the cheerworthy and the cringeworthy. Given his recovery and the fact that the three - three! - movies we were supposed to get from him in 2020 (the WWII drama Greyhound, the sci-fi headscratcher BIOS, and the Western News of the World) may not screen until next year, we figured it was time to look back at Hanks’ career as a whole and re-view the good, the bad, and the occasionally ugly. You do not spend four decades in this industry without a Dragnet or two. It hasn’t all been Forrest Gump fun and games. Rushmore - this is also the guy who made those Dan Brown blockbusters, costarred in a buddy-cop with a slobbering pooch and has had his share of career low points. And he’s such a totem of modern American filmmaking that it’s just as easy to forget he was not always on Hollywood’s version of Mt. He’s such a beloved figure, in fact, that it’s easy to forget the multiple Oscar-winner is more than just the sum of his sweet attributes, and is not just a movie star - i.e., the kind of marquee name that you go to for the same comfortable screen qualities time and again - but one hell of a versatile performer as well. When he announced via Instagram that he and his wife Rita Wilson had contracted the coronavirus when he was in Australia filming Baz Luhrmann’s Elvis biopic (Hanks was cast as Colonel Tom Parker), it not only made the pandemic suddenly feel horribly real but became a national drama: America’s dad has COVID-19? Not Tom! And when they finally made it back to Los Angeles after inching down the road to recovery, surprise-hosting a remote SNL episode and giving a commencement speech via Zoom, you could practically hear a collective sigh of relief.
Nice Guy, one half of a showbiz power couple and the kind of real-life Good Samaritan that inspires by example. Grazer listened to everyone weigh in, then asked them: Who does the world want to save the most? The unanimous answer: Tom Hanks.įor decades now, the 63-year-old actor has been the movies’ A-list everyman of choice, Hollywood’s Mr. They wanted to retell the story of Apollo 13’s perilous, aborted journey to the moon common sense and studio suits dictated that they get not just a star in the role, but the kind of matinee-idol, action-movie posterboy that would get people cheering in the aisles and spilling their popcorn. When Brian Grazer was recently asked by the New York Times to say a few things about Tom Hanks, the producer recalled a conversation he was having with some colleagues about a project they were putting together in the mid-’90s.
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